One location, 3 compositions

Despite being only a short drive from where I live, I’ve never actually photographed the iconic Normanton church that is seemingly set adrift on Rutland Water in the UK. This week, I finally managed to visit this location on two occasions, albeit in very brief spells in the atrocious weather from the tail end of storm Dennis. Having the opportunity to visit more than once in quick succession lent itself to exploring a number of compositions using a fortuitous piece of driftwood on the shore.

The first visit was cut short by a heavy rain shower, but looking at the images I took it seemed obvious that there were other, possibly more interesting compositions to be had. In particular, I realised that a wide angle lens would enable me to create a sweep around the small bay toward the church. Unfortunately on that visit, I’d not managed to find the ideal position prior to the weather turning foul. With a building in the shot, perspective comes into play quite significantly when using an ultra-wide lens, it’s all too easy to set the camera too high and pointing downward so you end up with the depth-of-field you want but also with a wonky building! Second visit, two days later, and luckily the intervening wind and rain had not dislodged the driftwood from the beach. In the end, the final composition I’m most happy with is perhaps only a metre or so from my original position but equally shot with the camera perfectly level to reduce any distortion issues with the building.

First image, I could see the potential but the composition not right.
Portrait works for depth-of-field, but the perspective needed correcting in post-processing.
Final image and the one I’m pleased with. Fujifilm X-T3 + XF10-24mmF4 R OIS at 13.2 mm, 30.0 sec at ƒ / 11, ISO 160. Lee 0.6 GND + 10 stop ND.